| Abstract | 第3页 |
| Acknowledgements | 第4-7页 |
| Abbreviations | 第7-9页 |
| Introduction | 第9-13页 |
| Chapter 1: China's IP regime in the lead-up to the WTO | 第13-49页 |
| 1.1. The 'Western model' and China's integration into the global system | 第13-18页 |
| 1.2. China's 'copyright anarchy' within the multilateral IP framework | 第18-26页 |
| 1.3. China's Copyright law:a case of 'legal transplantation' | 第26-28页 |
| 1.4. Compliance with the TRIPS Agreement:the Sino-US dispute | 第28-29页 |
| 1.5. The TRIPS and China:a model for regulatory convergence | 第29-32页 |
| 1.6. China within the WTO Dispute Settlement Mechanism:from passive 'rule-taker'to agenda setter | 第32-40页 |
| 1.7. Copyright:a dilemma between 'excludability' and 'flexibility' | 第40-43页 |
| 1.8. The incentive rationale of copyright:the role of institutional capabilities | 第43-45页 |
| 1.9. The 'one-size-fits-all' paradigm or a new 'Chinese model'? | 第45-49页 |
| Chapter 2: The 'incentive rationale' of copyright in China's music value system | 第49-79页 |
| 2.1. The changing political economy of IPRs in the digital era | 第49-50页 |
| 2.2. Does copyright still fit the purpose of music business? | 第50-52页 |
| 2.3. Copyright in the pre-digital era:turning music into a value-generating industry | 第52-54页 |
| 2.4. Music value system:copyright as crucial factor producing value | 第54-56页 |
| 2.5. How collective copyright management puts IP laws into practice | 第56-59页 |
| 2.6. The legal monopoly of the Music Copyright Society of China | 第59-63页 |
| 2.7. Collective copyright management:between right holders' protection andtendency to market monopoly | 第63-72页 |
| 2.8. The monopoly of state-owned telecommunication operators | 第72-76页 |
| 2.9. Lax copyright laws and state-backed monopolies created China's tech giants | 第76-79页 |
| Chapter 3: The changing status of IP in China:innovation and state-backedInternet companies | 第79-111页 |
| 3.1. China's top-down construction of private entrepreneurship | 第79-84页 |
| 3.2. High Tech Development Zones and Creative Clusters | 第84-88页 |
| 3.3. Digitalization and disruption in the music industry:innovation without copyright | 第88-94页 |
| 3.4. The Tencent ecosystem:from social messaging to QQ Music | 第94-102页 |
| 3.5. Copyright improvements driven by technology and business | 第102-111页 |
| Conclusion | 第111-117页 |
| List of References | 第117-126页 |
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