ABSTRACT | 第1-6页 |
摘要 | 第6-7页 |
ACKNOWLEDGEMENTS | 第7-8页 |
CONTENTS | 第8-10页 |
目录 | 第10-12页 |
LIST OF ABBREVIATIONS | 第12-13页 |
CHAPTER ONE INTRODUCTION | 第13-30页 |
·Aesthetics and Translation Aesthetics | 第13-14页 |
·Aesthetics | 第13页 |
·Translation Aesthetics (TA) | 第13-14页 |
·Development and comparison of TA in China and the West | 第14-23页 |
·TA in China | 第14-18页 |
·TA in the West | 第18-22页 |
·A brief comparison of TA between China and the West | 第22-23页 |
·The necessity of the combination between Chinese poetry translation and TA | 第23-27页 |
·A linguistic bridge | 第24-26页 |
·A cultural bridge | 第26-27页 |
·Summary | 第27页 |
·Methodology of the thesis | 第27-30页 |
CHAPTER TWO LITERATURE REVIEW | 第30-37页 |
·Review on Translation Aesthetics | 第30-32页 |
·Linguistic studies | 第30页 |
·Psychological studies | 第30-31页 |
·Comprehensive studies | 第31-32页 |
·Review on traditional Chinese poetry translation | 第32-35页 |
·Translation by foreign translators | 第32-33页 |
·Translation by Chinese translators | 第33-34页 |
·Microscopic studies centering the translational aesthetic object (TAO) | 第34页 |
·Macroscopic studies centering the translational aesthetic object (TAO) | 第34-35页 |
·Studies under the guidance of western theories | 第35页 |
·Studies centering the translational aesthetic subject (TAS) | 第35页 |
·Summary | 第35-37页 |
CHAPTER THREE THE AESTHETIC INFORMATION OF TRADITIONAL CHINESEPOETRY | 第37-55页 |
·The external aesthetic information (EAI) | 第37-48页 |
·The beauty in sound | 第37-44页 |
·The beauty in Chinese characters | 第44-47页 |
·The beauty in lines (produced by antithetical couplets) | 第47-48页 |
·The internal aesthetic information (IAI) | 第48-53页 |
·Emotions and ambitions | 第48-50页 |
·Images | 第50-52页 |
·Artistic conceptions | 第52-53页 |
·The tomprehensive aesthetic information(CAI) | 第53-55页 |
CHAPTER FOUR PRINCIPLES AND MEANS OF AESTHETIC REPRESENTATION | 第55-59页 |
·Principles of aesthetic representation(AR) | 第55-57页 |
·Principles concerning the representation of EAI | 第55页 |
·Principles concerning the representation of IAI&CAI | 第55-56页 |
·The principle concerning the representation of style | 第56页 |
·The principle of AR priority of IAI & CAI over EAI | 第56页 |
·Readaility of the translated versions | 第56-57页 |
·Means of aesthetic representation | 第57-59页 |
·Dynamic Imitation | 第57页 |
·Empathy | 第57-59页 |
CHAPTER FIVE THE AESTHETIC REPRESENTATION OF TRADITIONAL CHINESEPOETRY | 第59-84页 |
·The aesthetic representation(AR) of the external beauty | 第60-76页 |
·AR of the beauty in sound | 第60-68页 |
·AR of the beauty in Chinese characters | 第68-74页 |
·AR of the beauty in lines | 第74-76页 |
·The aesthetic representation(AR)of the internal beauty | 第76-84页 |
·AR of emotions and ambitions | 第77-79页 |
·AR of images | 第79-81页 |
·AR of artistic conceptions | 第81-84页 |
CHAPTER SIX CONCLUSION | 第84-86页 |
BIBLIOGRAPHY | 第86-89页 |
RESEARCH ACHIEVEMENTS | 第89-90页 |
PERSONAL PROFILES | 第90-92页 |