Acknowledgements | 第4-5页 |
Abstract | 第5页 |
摘要 | 第6-7页 |
Contents | 第7-8页 |
Chapter One Introduction | 第8-13页 |
1.1 Study Status Quo of Zweig's Works | 第8-10页 |
1.2 Comments by Authorities on Zweig and His Writing | 第10-11页 |
1.3 The Purpose and Approaches of this Thesis | 第11-13页 |
Chapter Two Zweig's Viewpoint of Narration | 第13-22页 |
2.1 Tension Narration in Novel Writing | 第13-15页 |
2.1.1 The Definiton of Tension Narration | 第13-14页 |
2.1.2 The Forming of Zweig's Viewpoint of Narration | 第14-15页 |
2.2 Elements Influencing Zweig's Narration | 第15-22页 |
2.2.1 The Influence from His Family and Living Background | 第15-17页 |
2.2.2 The Influence from His Literature Idols | 第17-20页 |
2.2.3 The Influence from His Love Experience | 第20-22页 |
Chapter Three Tension Narration in Letter from An Unknown Woman | 第22-38页 |
3.1 Manifestations of Those Influences in Letter from An Unknown Woman | 第22-25页 |
3.1.1 Manifestations from Vienna in the Novel | 第23-24页 |
3.1.2 Manifestations from His Love Life in the Nove | 第24-25页 |
3.2 Psycho-analysis Tension:the Ultimate Narration of Psychology | 第25-27页 |
3.3 Sex Tension:the Confrontation and Peace of Soul and Body | 第27-28页 |
3.4 Love Tension:Freedom and Restraint | 第28-31页 |
3.5 Morality Tension:the Might of Humanitarianism | 第31-38页 |
3.5.1 The Solicitude of Women's Fate | 第32-34页 |
3.5.2 The Caring of Social Environment | 第34-35页 |
3.5.3 Tension between Different Morality Background the in China and the Western Society | 第35-38页 |
Chapter Four The Significance of Tension Narration in the Novel | 第38-50页 |
4.1 Original Artistic Narration | 第39-40页 |
4.2 Detail Description | 第40-41页 |
4.3 First Person Narrative Point | 第41-43页 |
4.4 Psychological Narrative Time | 第43-45页 |
4.5. Psychological Realism | 第45-47页 |
4.6. The Significance of Zweig's Inheritance and Innovation | 第47-50页 |
Chapter Five Conclusion | 第50-51页 |
Bibliography | 第51-52页 |