| Acknowledgements | 第1-6页 |
| Abstract | 第6-8页 |
| 摘要 | 第8-10页 |
| Chapter One Introduction | 第10-22页 |
| ·Angela Carter and Her Literary Career | 第10-11页 |
| ·Literature Review of Wise Children | 第11-16页 |
| ·An Introduction to Bakhtin’s Dialogic Poetics | 第16-20页 |
| ·The Layout of the Thesis | 第20-22页 |
| Chapter Two Carnival Subversion in Wise Children | 第22-33页 |
| ·Deconstruction of the Official Self and the Other | 第23-29页 |
| ·Dialogic Relationship in Sameness and Differences | 第29-33页 |
| Chapter Three Chronotopic Subversion in Wise Children | 第33-41页 |
| ·Parody of the Traditional Castle Chronotope | 第34-37页 |
| ·Creative Employment of the Carnival Square Chronotope | 第37-41页 |
| Chapter Four Polyphonic Subversion in Wise Children | 第41-50页 |
| ·Invalidation of the Official Voice | 第42-44页 |
| ·Construction of Polyphonic Multivoicedness | 第44-50页 |
| Chapter Five Conclusion | 第50-54页 |
| Bibliography | 第54-57页 |
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