| 摘要 | 第1-6页 |
| Abstract | 第6-10页 |
| Introduction | 第10-20页 |
| Ⅰ.Polyphony: Presentation of the Era | 第20-32页 |
| A.Independence of Huck’s Self-consciousness: His Own Idea of thr World | 第20-25页 |
| B.Polyphonic Variations on Shakespearean Tragedies | 第25-32页 |
| 1.Variation on Romeo and Juliet: Backwardness of the South | 第25-28页 |
| 2.Variation on King Lear: Darkness of Human Nature | 第28-30页 |
| 3.Variation on Hamlet: Moral Crisis of the Age | 第30-32页 |
| Ⅱ. Dialogue: Call for Equality | 第32-43页 |
| A.Dialogic Relationships in Great Dialogue | 第32-39页 |
| 1.Dialogue between the Author and the Hero | 第32-34页 |
| 2.Dialogue between the Low Comedy and the Great Tragedy | 第34-37页 |
| 3.Dialogue between Romanticism and Realism | 第37-39页 |
| B.Microdialogue in the Discourse and Self-consciousness of Huck | 第39-43页 |
| Ⅲ. Carnivalization: Pursuit of Freedom | 第43-57页 |
| A.The Carnivalized Genre: Menippean Satire | 第43-49页 |
| B.Carnivalized Characters: Carnival Sense of the World | 第49-57页 |
| 1.Carnivalization of the King and the Duke: Suspension of Hierarchy | 第50-54页 |
| 2.Carnivalization of Jim: Subversion of Slavery | 第54-55页 |
| 3.Carnivalization of Huck: Death and Rebirth on the Mississippi River | 第55-57页 |
| Conclusion | 第57-59页 |
| Works Cited | 第59-62页 |
| Acknowledgements | 第62-63页 |
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