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《大话西游》与“文革后一代”的主体性建构
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摘 要：本文通过对《大话西游》进行文本分析和接受-反应分析，探讨了“文革后一代”的主体性建构问题。我将75年左右出生、于九十年代末和二十一年代初上大学的年轻人，称为“文革后一代”。他们在对认知养成极为重要的青春期，遭遇了八十年代末、九十年代初的那场中国社会的全面转型。他们没有文革记忆，政治意识淡漠，普遍缺乏宏大理想。他们在整个社会面临失语之后，发展了属于自己群体的价值观和言说方式。
可以说，研究《大话西游》现象，对解剖“文革后一代”的精神气质及其形成原因，具有相当的启发。而对“文革后一代”进行剖析，也有助于勾勒出世纪之交时中国社会思想和价值变迁的轨迹。
关键词： 《大话西游》 青少年文化 主体建构 社会转型 “文革后一代”
Abstraction
Content analysis and reader-response criticism are given to the Hongkong movie A Chinese Odyssey, which in Chinese called Da Hua Xi You(A Parody of Journey to the West) to probe into the theme of the subjectivity construction of the post-cultural-revolution generation. The post-cultural-revolution generation refers to the youth who were born near the year 1975 and attended university in the late 1990’s or at the beginning of the 21st century. In their adolescence when the ability of cognition came into maturity, they encountered the all-around social transformation in China in the late 1980’s and early 1990’s. The generation lacks the memories of cultural revolution, the political perspective and sublime ideals. They find their own way of speaking and valuation.
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