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当代审美实践与文学本体论的构建
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【 标 题】当代审美实践与文学本体论的构建
【英文标题】The Present Aesthetic Practice and the Construction of Literary Ontology
CHEN Chuan-cai
(Chinese Department,Chinese People's University,Beijing 100872,China)
【 作 者】陈传才
【作者简介】陈传才(1936-)，男，广东普宁市人，中国人民大学中文系教授，博士生导师。主要研究方向为文艺理论与文艺批评。中国人民大学 中文系，北京 100872
【内容提要】当代中国文论的变革发展，凸显了“文学是人学”的视角。文学通过对深藏于人的本性之中的矛盾的过程展示，极大地丰富了人的精神世界，增强了人的自觉，为人性的丰富、发展展现了多种可能性；从而确证了“文学是人学”的命题，从最深层的意义来理解，可以认为是文学本体论的命题。因此，当代文学观念的变革、重建，就不能停留于文学主体性和文学价值论的探索，还应当推进到文学本体论的构建上。
【摘 要 题】文论建设
【英文摘要】The reform and development of the Chinese literary ontology protrude the visual angle of "literature is human learning"Through the display of the contradiction procedure that deeply hides in man's natural character,literature greatly enriches man's spiritual world,strengthens man's consciousness,displays many possibilities for the richness and development of man's nature,thus proves the subject of "literature is human learning".From the understanding of deepest level,it may be considered that the subject is the literary ontology.Therefore,the reform and reconstruction of the modern literary idea can not only stop the exploration of literary main body nature and literary value theory,they should be promoted to the construction of literary ontology.
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